“How To Render Amazing 3D Cars in Photoshop ... In Less Than 60 minutes ... GUARANTEED"

You Are Just Moments Away From Discovering:

• How To Quickly And Easily Produce Mind-Blowing Car Renderings Using Photoshop

• How To Create 3D Cars In Photoshop That Look Real, First Time, Every Time

• Simple Tips And Tricks The Pros Use To Amaze Their Clients

• The Most Common Mistakes When Rendering Cars in Photoshop And How To Fix Them

• Detailed Step-By-Step Car Rendering Tutorials Made Easy

... PLUS Many More Insider Secrets Of Professional Automotive Designers

Here's EXACTLY what's covered in the video program:

Introduction (Video #1)

• Introduction and program outline
• Examples of renderings before and after Photoshop treatment

Scanning Your Drawings (Video #2)

• Scanning hand drawn images
• Optimal scan settings for speed and resolution

Quick Start Guide (Videos 3 – 5)

In the Quick Start Guide videos you will learn about the technique that I use use daily in my work. You will discover how to render a car quickly and simply by just adding some tones in Photoshop to take an OK hand-drawn sketch to a whole new level in under 48 minutes!

Quick Start Guide Part 1 - Adding Color (Video #3)

• Adding tone to bring the drawing to life
• Using the Lasso selection tool
• Tidying up the drawing
• Adding reflections
• Adjusting opacity

Quick Start Guide Part 2 - Adding Reflections (Video #4)

• Adding sky and ground tone reflections
• Hiding background imperfections
• Creating automatic highlights without using colors
• Building up the tone with brushes

• Achieving subtle fade outs
• Creating window reflections
• Getting the original drawing details to show through
• Fixing mistakes in the original drawing 

Quick Start Guide Part 3 - Adding Highlights & Background (Video #5)

• Adding edge highlights to doors
• Controlling the highlight strength
• Adding sky tone to rims
• Creating classic chrome reflections
• Using flow rate to build up the color
• Adding a background to finish off the rendering
• Adding background reflections across the back edge of car hood, roof and windscreen

• Pontiac G8 Rendering (Videos 6 – 18)

  These in-depth videos reveal the techniques that I'm using more and more regularly in my car renderings for clients. You will learn the insider secrets on how to really bring your drawings to life by adding and modifying colors, reflections, highlights and shadows. As well as using the power of Photoshop to give yourself the flexibility of creating a completely different look and feel to your renderings in a few mouse clicks by changing the color and adding some body graphics.
  
  

  Cleaning Up The Scanned Image (Video #6)

  • Using the Lasso tool to quickly remove extra lines and dirt outside the drawing
  • Removing color streakiness
  • Making black truly black and white truly white
  • Removing extra lines and white spots in black areas
  • Modifying the original drawing

  G8 Rendering Part 1 - Adding Color (Video #7)

  • How to effectively select areas to color
  • How not to get white edges when pasting objects
  • Creating layers
  • Insider tip on building up the tone
  • Using the Burn and Dodge tools 
  • Tips for rendering metallic paint
  • Indicating changes in the body shape
  • How to control blending 

  G8 Rendering Part 2 - Adjusting the Color  (Video #8)

  • Putting color into a gray drawing and changing the color 
  • Adjusting the color 

  G8 Rendering Part 3 - Adding Reflections (Video #9)

  • Adding highlights on new layers
  • Adjusting reflections
  • Removing reflections from shadow areas
  • Using the Clone Stamp tool to clean up lines
  • How to weaken highlights that are too strong
  • Why you need to name the layers
  • How to render flares
  • Adding secondary reflections
  • Using paths vs the lasso for adding reflections

  G8 Rendering Part 4 - Adding More Reflections and Highlights (Video #10)

  • Adding hood reflections
  • Tip for managing numerous layers effectively
  • Using the Pen tool to create highlights
  • Creating strong highlights with smooth edges
  • Highlights for chamfered edge 

  G8 Rendering Part 5 - Adding Shadow Tones (Video #11)

  • Adding additional highlights on cut lines
  • Adding 'lowlights' to give panels more shape on the top edges
  • Cleaning up furriness of line work
  • Adding darker reflections on the side of the body and rear bumper 

  G8 Rendering Part 6 - Rendering Windows (Video #12)

  • Adding reflected sky tones to the windows
  • Building up the color
  • Working with layers and highlights
  • Creating the transparent look
  • Creating the tinted look 

  G8 Rendering Part 7 - Rendering Headlights (Video #13)

  • Creating reflections that look dramatic
  • Using layers
  • Adding the indicator 'orange' glow
  • Adding reflections to the headlight
  • Rendering indicators
  • Selecting the right color
  • Theory on light diffraction and properties
  • Copying colors and tones from real cars

  G8 Rendering Part 8 - Rendering Wheels (Video #14)

  • Modifying the rims
  • Preparing the rims for highlights
  • Covering up marker imperfections in rims
  • Using layers to leave original image unaltered
  • Adding highlights
  • Managing layers to minimize file size and confusion 

  G8 Rendering Part 9 - More Rendering Wheels (Video #15)

  • Completing the rear rim
  • Adding highlight details on the tires
  • Adding flare shadows on the tires
  • How to determine the shape of the shadows
  • Adding sidewall thickness
  • Adding tread detail

  G8 Rendering Part 10 - Finishing the Rendering (Video #16)

  • Touching up the rendering
  • Adding extra highlights
  • Adding a ground reflection
  • Adding perspective to the ground reflection
  • Using the Distort and Warp functions

  Changing the Look (Video #17)

  • Changing colors to create a completely different look and feel
  • Adding simple graphics quickly
  • Changing the wheel rim color

  Adding Graphics (Video #18)

  • Adding logos or words to side of the car
  • Add perspective to the logo
  • Changing the background color to bring out the body color and highlights
  • Adding a gradient to the background
  • Adjusting the windscreen when using dark backgrounds

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  Le Mans Racer Rendering (Videos 19 – 26)

  In these Le Mans Racer Rendering videos, you will discover how to transform a rough hand-drawn sketch into a beautifully finished 3D rendering. Although it takes a bit more time using paths and layers, this method is extremely effective as your renderings will look highly refined with a crisp, smooth finish.
  
  

  Racer Part 1 - Creating Paths (Video #19)

  • Using paths and layers for a great result
  • Detailed analysis of a hot rod rendering using paths and layers
  • Working over original sketches that don't have to be very neat
  • Creating paths with the Pen tool 

  Racer Part 2 - Adding Tone (Video #20)

  • Turning paths into selections and rendering the shape
  • Why you don't need to be too careful if you're using layers
  • Searching for rim photos on Google 

  Racer Part 3 - Creating Rims from a Photo (Video #21)

  • Selecting rim outline to paste into rendering
  • Creating ellipses as per How To Draw Cars Fast and Easy e-book
  • Match the rim to the sketch's perspective
  • Modifying the rim depth by editing the original rim
  • Adding drop shadows

  Racer Part 4 - Adding Reflections (Video #22)

  • Building side reflections in layers
  • Building up strong reflections for contrast
  • Adjusting reflection intensity

  Racer Part 5 - Adding Highlights (Video #23)

  • Adding body color and highlights
  • Using the background sketch as a guide
  • Creating smooth highlights using paths that stand out in the drawing
  • Adjusting the ends of the highlights 

  Racer Part 6 - Adding Cut Lines and More Highlights (Video #24)

  • Adding further body tones and a side scoop
  • Using paths to create door and panel cutlines and additional highlights
  • Creating cut lines and highlights from the same path

  Racer Part 7 - Adding Interior Details (Video #25)

  • Using layer groups
  • Creating a simple interior silhouette that doesn't overpower the exterior rendering
  • Using glass to cover any imperfections
  • Adding tint to the windows
  • Adding a light wash to tint the side window

  Racer Part 8 - Finishing the Rendering (Video #26)

  • Removing remaining line work from the original sketch
  • Using Photoshop to change things you don't like
  • Adjusting the background to add life and bring out car
  • Adding a reflection of the car
  • Fading the reflection to not overpower the car

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Stranger Things Logo - Photoshop Tutorials

                     first:- click here

Step 1

Open Photoshop and create a new document. I am using 1920x900 pixels. After that fill the layer with a gradient #000000 and #303030 for colors and tilt it for better effect.

Step 2

Go to filter > blur > gaussian blur and fill with 100 for radius.

Step 3

Add a new layer above it and fill it with #d91f26. Set is blend mode to Multiply.

Step 4

Time to add some text. I'm using the original logo font, called Benguiat. The weight is bold. You can buy it at MyFonts, or feel free to use a bold, serif font of your choice. Adjust the text so that it has 2 lines, the top one being wider than the bottom one. Turn all text black (#000000).

Step 5

Group the text. In its blending options add a stroke of 10px, #d91f26 for color.

Step 6

Inside the group add 3 black, rounded rectangles, a wide one at the top and 2 smaller ones at the sides. Duplicate this group and turn the copy invisible, because we'll save it for later.

Step 7

Add a new layer below the visible group and fill it with #000000.

Step 8

Merge the group with this new black layer.

Step 9

Set the blending mode to Color Dodge.

Step 10

Duplicate this layer, and set the blending mode of the copy to Overlay.

Step 11

Turn visible the copied group from ealier. Make its stroke thinner, from 10px to 8px. Add a new layer above this group.

Step 12

Merge the new layer with this group. Go to filter > blur > gaussian blur. Set it to 1px and apply.

Step 13

For its blending mode, set it to Color Dogde, and Opacity 50%.

Step 14

Add new layer. Using a round brush add some strokes covering the logo.

Step 15

Add a gaussian blur of 100px to these strokes.

Step 16

Blending mode: Color Dodge, Opacity: 30%.

Step 17

Merge all visible layers. Duplicate it.

Step 18

Add noise to the top layer. Go to filter > noise > add noise. For values use Amount: 5%, Distribution: Gaussian, Monochromatic.

Step 19

Set its blending mode to Overlay, Opacity 70%.

Final Result

I know the final result it's not a clone of the original style, but it mimics the original pretty well. I hope it inspires you to keep trying to perfect it and even make a perfect clone.

Ode to the 80s - Photoshop Tutorials

Step 1

To create the 3D effect I used Illustrator's Blend Tool. I feel that it might be the quickest way to get a nice extrusion, especially for this particular type of graphic. CGI in the 80s was still evolving and playing with basic geometries.

Step 2

Now in Photoshop I created a document and the background I set to black.

Step 3

Paste the vector in Photoshop, make sure you use Smart Objects. It's always good to be able to make mistakes and just change fix it withouth much hassle.

Step 4

Now for the top part let's add some nice gradient from blue #0000ff to a very light blue.

Step 5

Duplicate that layer and then add some Layer Styles to create the bevel and stroke effects. The images below show the values.

Step 6

For the complementary text I used a font that I found on DaFont, a super cheesy one that has all of that 80s feeling. The font is Las Enter Font (http://www.dafont.com/lasenter.font). Just add your text and with Layer styes add 2 drop shadows. The first one white and the second black, that will create a nice bevel effect.

Step 7

Now for the background let's apply a gradient. Get some of the colors from the logo to make it look like the logo is sort of illuminating the background.

Step 8

Select the 3D extrusion layer and add an Adjustment Layer Hue and Saturation. The idea hear is to add a bit more Saturation, Brightness and Hue.

Step 9

The classic reflection of the 80s, you can do that very easily by creating a sort of wavy selection and then create a layer to apply the same gradient that the text has.

Step 10

Now it's that time, the little flares that are part of that beautiful decade. To do that is quite easy, create a new folder on your layer palletes and add a new layer in this folder. Change the folder Blend Mode to Color Dodge. Then select the layer inside and with the Brush Tool and a very soft brush you can just create some dots with white color. The result is a quite awesome light effect.

Step 11

To add a bit more mood to the scene I just added some smoke using the Render>Clouds. Then change the Blend Mode to Linear Color Dodge. Also add a Layer Style with a Gradient Overlay. Use Linear with blue at the top and purple for the bottom.

Step 12

It would not be an 80s graphic without the classic scanline effect. I created a pattern with 2 rectangles, a black and an white. Then I filled a layer with this pattern and placed on top of all the other layers using Soft Light for the blend mode. I also applied a super soft blur.

Step 13

To add a bit more texture I added a new layer and then filled it with white. After that I went to Filter>Pixelate>Pointilize. Then just change the Blend Mode to Overlay at 10%, it's very subtle but you can notice the difference.

Step 14

I always like to add a bit of a warm feel to the image. For this particular one I just added an adjustment layer Photo Filter on top of all the other layers.

Step 15

To finalize the image I added some lightning bolts. I used an image I found on Google Images. I also adjusted the flares to match where the bolts intersect with the logo.

Step 16

The last thing I did here was just to duplicated all layers and merge them onto a new one. Then I applied Gaussian Blur with 20px for the amount and after that I just changed the Blend Mode to Hard Light at 60% Opacity.

Conclusion

Here's the final image. I added a grey solid layer on top at 10% Opacity to create a little Fade effect and that's it. As you can see, it's not a really complicated effect, it just require some trial and error and time to go through all steps. I even played with some color variations like an all red one.

copied from:- http://abduzeedo.com/

Chrome Effect - Photoshop Tutorials

Step 1

In Photoshop create a new document. I am using 2880x1800 for the size so I can use it as a desktop wallpaper for my laptop. After that put the logo/symbol you want to apply the chrome style.

Step 2

Add a new layer and fill with with black with the Paint Bucket Tool. After that go to Filter>Noise>Add Noise. Use 12.5% for the Amount, Gaussian and Monochromativ.

Step 3

Duplicate the layer and for the one on top go to Edit>Transform>Flip Horizontal. After that change the Blend Mode to Screenat 40%.

Step 4

Group the 2 layers with noise and then for the group apply a layer style. Select Gradient Overlay and use Radial with a light grey in the middle and black for the edges.

Step 5

Select the symbol and then go to Layer>Layer Style>Blending Options. Use the settings like the images below. Note: The settings might vary depending on the type and size of you symbol, so play with the values until you find the best result. These are the best settings for the Abduzeedo symbol.

Step 6

Here I added the logotype and apply similar chrome effect.

Step 7

Select all layers and duplicate them. Merge all the new duplicated layers onto one layer and then go to Filter>Blur>Gaussian Blur. Use 15 for the amount. After that change the Blend Mode to Screen at 50% and go to Layer>Add Layer Mask. With the Brush Tool make only the symbol area visible so this layer will create a sort of glow effect.

Conclusion

Here is the final result. As you can see the last step add a nice shine and glow to the image making the chrome look more realistic. I mentioned before, but it's important to play with the settings because they might have different results depending on the form of your symbol. Now it's up to you, just have fun and start creating nice wallpapers as well.

copied from:- http://abduzeedo.com/